Vampire Weekend’s New Music Nods to Steve Martin, the Dead and the Band’s College Roots
Vampire Weekend’s last album, 2013’s “Modern Vampires of the City,” racked arguably the best reviews of the band’s already sound career for some smart sonic multitasking that no longer leaned heavily on twee twists on African sounds. This week, the band finally resumed that trajectory back to North America with a teaser (“120 Minutes of Harmony Hall Guitars”) and then […]
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