In Its Post-Lagerfeld Era, Chanel Is Still Earning Profits

LONDON — In the past several months, Chanel has lost its longtime creative director with the death of Karl Lagerfeld, and has been the subject of continuing takeover speculation involving industry rivals like LVMH Moët Hennessy Louis Vuitton.

But the storied fashion house, owned by the secretive billionaire brothers Alain and Gerard Wertheimer, reported rising profits and revenue on Monday, the second time in two years that the privately held company had issued an annual earnings report in its 109-year history.

Chanel has traditionally shied away from talking publicly about the state of its finances. But the company — best known for distinctive products like its No. 5 perfume, black bouclé jackets, two-tone ballet pumps and array of quilted handbags — says it has entered a new era of transparency and communications. The figures released Monday showed broad and robust growth across product sectors and regions, and a significant increase in investment.

Total sales for the 2018 calendar year were $11.1 billion, up 10.5 percent from the previous year on a constant-currency basis. Growth was driven primarily by customers in the Asia Pacific region, where sales reached $4.73 billion, an increase of 20 percent over the same period a year earlier.

Asia is now the most valuable region by revenue for Chanel, eclipsing Europe, where sales reached $4.28 billion, up 7.8 percent. Overall operating profit came in at $2.99 billion, an 8 percent increase from the previous year.

The results showed that Chanel is among the largest luxury brands in the world by revenue, outpacing rivals like Gucci and neck-and-neck with Louis Vuitton. Philippe Blondiaux, Chanel’s chief financial officer, said the company had doubled its investments in 2018 compared with 2017. The increase, which included revamping Chanel’s global store network; acquiring specialist watchmakers and leather suppliers; and introducing new products, underscored the company’s commitment to maintaining its future independence, he said.

A buyout or takeover of any kind, he added, was not on the horizon.

“The work we are doing and investments we are making are all geared toward maintaining the independence of Chanel for centuries to come,” Mr. Blondiaux said. “Would a company preparing itself for a sale invest more than $2 billion in twelve months in sustaining creativity and innovation? Or increase its head count by 14 percent? No. These numbers talk and tell you everything you need to know, which is that we have a strong balance sheet, extremely strong sales growth across all regions and product categories and continue to work extremely well as a private company.”

Mr. Blondiaux added that Chanel was still mourning the death of Mr. Lagerfeld, one of the most prolific fashion designers of his era. Chanel’s creative director since 1983, he died in February. His successor is Virginie Viard, his right hand for more than 30 years. She presented her first solo collection for the house in Paris last month. Mr. Blondiaux said the company was in good creative hands as it entered its next phase.

“Virginie was and is our only choice,” he said. “She knows this house and its codes and we have every confidence in her capabilities, both now and in the future.”

He added: “We do not expect any kind of impact on our financials as a result of the death of Mr. Lagerfeld.”

Elizabeth Paton is a reporter for the Styles section, covering the fashion and luxury sectors in Europe. Before joining The Times in 2015, she was a reporter at the Financial Times both in London and New York. @LizziePaton

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